Post-Blossom by Howie Tsui

Howdy partners,
Just wanted to provide a quick round-up of 2022 goings on.

The exhibition catalogue for From swelling shadows, we draw our bows at the Power Plant is out and available here

I have work in the group exhibition The world is just so small, now at the Ringling Museum.

My solo exhibition A Prologue to Entombment just wrapped at Patel Brown
and a new set of limited edition silkscreens will soon be available through the gallery.

Retainers of Anarchy exhibition coming to the Art Gallery of Windsor soon!

A new media work is being presented in the Hanart TZ booth at Art Basel HK.

New batch of works brewing for an upcoming presentation at the Patel Brown booth at Armory Show NYC.
It’ll be a 2-person booth with my hero Shary Boyle…aaaaand we might have some collabo mindmelds to share.

Retainers of Anarchy will have its Australian debut as part of the Outlaws at the Art Gallery of New South Wales in December.
The exhibition marks the grand opening of AGNSW’s brand new Sydney Modern space.

Stories that Animate Us @ The Vancouver Art Gallery by Howie Tsui

Thankful to be included in this exhibition along with so many amazing artists and the opportunity to work with the gallery’s superb prep team.
I was invited to exercise my installation tendons and exorcise the demons that haunt us.

Howie Tsui installing his work, Spectral Residue, 2021, in Stories that animate us, exhibition at the Vancouver Art Gallery, February 20, 2021 to September 6, 2021, Photo: Ian Lefebvre, Vancouver Art Gallery

Nourishing Takes by Howie Tsui

Just catching a breather to cobble up a batch of alimentative reads from my recent show at the Power Plant (which has been extended through summer 2021).

Thanks to Kate Taylor for including Parallax Chambers in the TOP 10 of 2020.
and for the thoughtful review of From swelling shadows, we draw our bows.
Belinda Kwn rooted around, flexed, and uncovered Easter eggs in her Asia Art Pacific piece.
And Charlene K. Lau shared was on an impressionistic tip for ARTFORUM

Some other joints coming down the pipe including an exhibition catalogue published by the Power Plant.

Gif Roulette @ Reel Asian International Film Festival by Howie Tsui

As part of Reel Asian International Film Festival’s Artist Spotlight program, I cooked up a buffet of spicy and numbing gifs from film and tv. Recent explorations in media work has nudged my practice further into the fields of visual sampling, loop construction and image saturation. This project is a playful (and addictive) way to apply these meme-y tools to explore memory fragmentation/excavation. See the project here.

Parallax Chambers - Halloween Livestream by Howie Tsui

Given our bubbly lifestyles and collectively straight-jacketed potatoes,
this hallowe’en we thought fitting to share a livestream of Parallax Chambers
- an unrelenting cycle of punishing animations
churning outwards indiscriminately from the CPU brain into the ether.
Relish in scenes of restraint and cartoonish suffering in the horizontal comfort of your abode
or drive-thru or barn.

Facebook Live: https://fb.me/e/3D2wWYPuD
Youtube: https://tinyurl.com/y46av4b6
Twitch: https://www.twitch.tv/dedxterboney

This will be a 3-hour program involving a livestream of the work.
Tune in/out anytime.
PST: 8 pm - 11 pm EST: 11 pm - 1 am HKT: 11 am - 1 pm

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By conflating the anarchic universe in martial arts fiction with current socio-political turmoil, Parallax Chambers wrestles with the creeping suppression of voice and thought. The spectre of geopolitical surveillance further agitates my practice that has long demonstrated a compulsion towards confronting superstition, paranoia and inherited traumas.

The constant, live-rendered output of this work churns out an elastic sequence of animations. By ceding the narrative agency to the algorithm, Parallax Chambers raises formal questions about order, and whether harmony can emerge from seeming chaos.

The piece cycles relentlessly through a series of confined rooms – recalling claustrophobic urban space and hermetic chambers depicted in martial arts fiction for internal training and meditation. This motif of fragmented loops within bound environments has gained new resonance amid recent global conditions of isolation.

single-channel algorithmic animation sequence
2018 - ongoing

Programming, Sound Design & Music: Remy Siu
Animation: Anna Firth, Chhaya Naran, Kodai Yanagawa and Roxanne Zagar
Additional Sound Design: Paul Paroczai

Patel Brown team-up by Howie Tsui

So pleased to announce that I’ll be joining Patel Brown Gallery and their roster of diverse (non-token) and amazingly fire artists. For 18 years, I’ve been unapologetically producing culturally explicit/honest work to the confusion/chagrin of gatekeepers who’ve perpetuated a mono-cultural art language. It’s heartening and energizing to be part of this deep-flavour food court! #timbitsaintshit

Check out the inaugural exhibitions at the beautiful new space and accompanying essays.

Photo: Laura Findlay

Photo: Laura Findlay

Anatomy: Exploring the Human Body by Phaidon by Howie Tsui

My work Musketball! is included in Phaidon’s comprehensive survey of anatomical art entitled Anatomy: Exploring the Human Body. Plenty o’ fantastic images of our insides in art and science throughout time.

"An astonishing range of medical illustrations, ancient artifacts, contemporary art and microscopic views form around the world... The kaleidoscopic volume inspires genuine awe."—The New York Times Book Review

Art Book & Hand Scroll Set (Limited Edition) by Howie Tsui

Very thankful/amped (ampful?) to share a beaut of a limited edition box set produced by Art Labor Gallery.

Set includes:

a book (cloth bound, lenticular cover, open-chest binding) with an essay by Karen Smith (Director, OCAT Museum Xi’an), a wide-ranging conversation between myself and Anna Holmwood (official English translator of Jin Yong’s Legend of the Condor Heroes), a Retainers of Anarchy character glossary, with a contribution from photographer Greg Girard and images on various types of kooky papers.

a Retainers of Anarchy handscroll printed on ricepaper and mounted on silk.

For more information and inquires, please contact Art Labor Gallery: info@artlaborgallery.com

Special Thanks goes out to Art Labor Gallery, Government of Canada and the Canadian Embassy in Beijing, Martin Kemble, Shasha Lui, Madeleine Cater, Karen Smith, Anna Holmwood and Greg Girard.